Using home made cameras to critique the prevention of photography by security personnel in the City of London and to question the intersections between photography and fine art. Includes essays on the process of making the project, the history of photography and perceptions of information gathering in the age of counter-terrorism.
Originally Self-published 2012, available here is the revised third edition self-published 2014.
114 pages black and white on matt paper
Soft cover, perfect bound. 14 x 21cm
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